{"title":"All","description":"\u003cp\u003eOfficial Matteo Prefumo store. Discover music, educational books and PDF resources, apparel, merchandise and exclusive releases.\u003c\/p\u003e","products":[{"product_id":"132-ideas-to-manipulate","title":"132 Ideas To Manipulate: Advanced Exercises For Improvisation, Melodic Development and Harmonic Thinking","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003e132 Ideas to Manipulate!\u003c\/strong\u003e non è l'ennesimo libro di lick da memorizzare passivamente.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eÈ un laboratorio musicale pratico e teorico che raccoglie \u003cstrong\u003e132 esercizi e linee melodiche\u003c\/strong\u003e concepiti come punti di partenza da analizzare, comprendere, trasformare e sviluppare.\u003c\/p\u003e\n\u003cp\u003eL'obiettivo non è memorizzare 132 frasi preconfezionate, ma imparare a riconoscere il potenziale contenuto in una singola idea musicale e utilizzarlo per generare nuovo materiale.\u003c\/p\u003e\n\u003ch2\u003eCOSA IMPARERAI\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAttraverso gli esercizi contenuti nel PDF potrai approfondire differenti \u003cstrong\u003eprocedimenti di sviluppo melodico, improvvisazione e pensiero armonico\u003c\/strong\u003e, tra cui:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDIREZIONE E INVERSIONE\u003c\/strong\u003e\u003cbr\u003eModificare il movimento interno delle note e il profilo complessivo di una linea.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRITMO E FRAMMENTAZIONE\u003c\/strong\u003e\u003cbr\u003eIsolare cellule, modificare il ritmo e sviluppare nuovo materiale a partire da piccoli frammenti.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRASPOSIZIONI SIMMETRICHE E CICLI INTERVALLARI\u003c\/strong\u003e\u003cbr\u003eSpostare una cellula attraverso differenti intervalli mantenendone riconoscibile l'identità.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eARMONIA AVANZATA\u003c\/strong\u003e\u003cbr\u003eEsplorare differenti contesti armonici, sostituzioni, strutture sovrapposte e soluzioni simmetriche.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSVILUPPO DEL LINGUAGGIO MELODICO\u003c\/strong\u003e\u003cbr\u003eUtilizzare gli esercizi come materiale da trasformare fino a renderlo parte del proprio vocabolario musicale.\u003c\/p\u003e\n\u003ch2\u003eTEORIA E MATERIALI ARMONICI\u003c\/h2\u003e\n\u003cp\u003eIl libro include una sezione metodologica e teorica dedicata ai principali materiali utilizzati negli esercizi.\u003c\/p\u003e\n\u003cp\u003eTra gli argomenti affrontati:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSCALE E MODI\u003c\/strong\u003e\u003cbr\u003eMajor Scale, Melodic Minor, Harmonic Major, Harmonic Minor, Double Harmonic Major, Augmented Scale e Diminished Scale.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSTRUTTURE E ORGANIZZAZIONE ARMONICA\u003c\/strong\u003e\u003cbr\u003eTetracordi e analisi tetracordale di scale e modi, Coltrane Changes, cicli intervallari, trasposizioni simmetriche e sostituzioni armoniche.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePer le principali scale eptatoniche, ogni modo viene analizzato anche attraverso la propria struttura interna: \u003cstrong\u003etetracordo inferiore + connettore + tetracordo superiore\u003c\/strong\u003e, offrendo un ulteriore strumento per confrontare, costruire e comprendere materiali armonici differenti.\u003c\/p\u003e\n\u003cp\u003eLa teoria non viene presentata come un trattato introduttivo, ma come riferimento pratico per comprendere e sviluppare il materiale musicale presente nel volume.\u003c\/p\u003e\n\u003ch2\u003eCOSA CONTIENE IL PDF\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e132 ESERCIZI E LINEE MELODICHE\u003c\/strong\u003e\u003cbr\u003eMateriale sviluppato attraverso scale, triad pairs, arpeggi, intervalli, pentatoniche, diminished sound, parallelismi, upper structures, passing tones e altri procedimenti melodici e armonici.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVARIAZIONI DERIVATE DA ESERCIZI PRECEDENTI\u003c\/strong\u003e\u003cbr\u003eIn alcuni casi viene mostrato esplicitamente come un'idea possa essere trasformata fino a generare un nuovo esercizio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAREA NOTES\u003c\/strong\u003e\u003cbr\u003eUno spazio dedicato alle annotazioni personali e al lavoro sviluppato su ogni esercizio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOTAZIONE MUSICALE STANDARD\u003c\/strong\u003e\u003cbr\u003eIl materiale non è legato esclusivamente alla chitarra e può essere studiato da musicisti di strumenti differenti.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormato 8,5 × 11\"\u003c\/strong\u003e\u003cbr\u003ePensato per essere consultato digitalmente oppure stampato per uso personale.\u003c\/p\u003e\n\u003ch2\u003eA CHI È RIVOLTO?\u003c\/h2\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003e\u003cem\u003e132 Ideas to Manipulate!\u003c\/em\u003e\u003c\/strong\u003e è pensato per musicisti che possiedono già una buona base teorica e vogliono approfondire improvvisazione, sviluppo melodico, armonia, costruzione di linee, pensiero intervallare e trasformazione del materiale musicale.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePer lavorare in autonomia è consigliata familiarità con intervalli, scale, triadi, accordi di settima, sigle armoniche e lettura della notazione musicale. Il livello \u003cem\u003eadvanced\u003c\/em\u003e riguarda soprattutto la natura del materiale e il grado di autonomia richiesto, non una difficoltà tecnica uniforme per tutti gli esercizi.\u003c\/p\u003e\n\u003ch2\u003ePERCHÈ NON SONO INCLUSI I FILES AUDIO?\u003c\/h2\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eLa scelta è intenzionale e fa parte del metodo.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUna registrazione di riferimento fisserebbe inevitabilmente aspetti come tempo, articolazione, accenti e phrasing, suggerendo un modello esecutivo prestabilito. In questo libro la notazione costituisce il riferimento comune, mentre l’interpretazione rimane parte del lavoro del musicista.\u003c\/p\u003e\n\u003cp\u003eGli esercizi sono materiali da analizzare, suonare e trasformare, non frasi da replicare cercando di imitare una registrazione.\u003c\/p\u003e","brand":"Matteo Prefumo Shop","offers":[{"title":"Default Title","offer_id":58315719737679,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1029\/5872\/7503\/files\/Matteo-Prefumo-132-IDeas-To-Manipulate.png?v=1785062847"},{"product_id":"a-new-beginning-t-shirt","title":"\"A New Beginning\" T-Shirt","description":"\u003cp\u003e\"A New Beginning\" T-Shirt\u003c\/p\u003e\n\u003cp\u003eA clean, comfortable everyday t-shirt inspired by “A New Beginning”. 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132 Ideas To Manipulate: Advanced Exercises For Improvisation, Melodic Development and Harmonic Thinking","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"fbskMG_root markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003e132 Ideas to Manipulate!\u003c\/strong\u003e is not another collection of licks to memorize passively.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt is a \u003cstrong\u003epractical and theoretical music laboratory\u003c\/strong\u003e featuring \u003cstrong\u003e132 exercises and melodic lines\u003c\/strong\u003e designed as starting points to analyze, understand, transform, and develop.\u003c\/p\u003e\n\u003cp\u003eThe goal is not to memorize 132 pre-packaged phrases, but to learn how to recognize the potential contained within a single musical idea—and use it to generate entirely new material.\u003c\/p\u003e\n\u003ch2\u003eWHAT YOU WILL LEARN\u003c\/h2\u003e\n\u003cp\u003eThrough the exercises in this PDF, you will explore a range of approaches to \u003cstrong\u003emelodic development, improvisation, and harmonic thinking\u003c\/strong\u003e, including:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDIRECTION AND INVERSION\u003c\/strong\u003e\u003cbr\u003eExplore different ways of altering the internal motion of the notes and the overall contour of a line.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRHYTHM AND FRAGMENTATION\u003c\/strong\u003e\u003cbr\u003eIsolate melodic cells, reshape rhythmic structures, and develop new material from small fragments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSYMMETRICAL TRANSPOSITIONS AND INTERVALLIC CYCLES\u003c\/strong\u003e\u003cbr\u003eMove a melodic cell through different intervals while preserving its recognizable identity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eADVANCED HARMONY\u003c\/strong\u003e\u003cbr\u003eExplore different harmonic contexts, substitutions, superimposed structures, and symmetrical solutions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMELODIC LANGUAGE DEVELOPMENT\u003c\/strong\u003e\u003cbr\u003eUse each exercise as raw material to be transformed until it becomes part of your own musical vocabulary.\u003c\/p\u003e\n\u003ch2\u003eTHEORY AND HARMONIC MATERIALS\u003c\/h2\u003e\n\u003cp\u003eThe book includes a methodological and theoretical section covering the main materials used throughout the exercises.\u003c\/p\u003e\n\u003cp\u003eTopics include:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSCALES AND MODES\u003c\/strong\u003e\u003cbr\u003eMajor Scale, Melodic Minor, Harmonic Major, Harmonic Minor, Double Harmonic Major, Augmented Scale, and Diminished Scale.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHARMONIC STRUCTURES AND ORGANIZATION\u003c\/strong\u003e\u003cbr\u003eTetrachords and the tetrachordal analysis of scales and modes, Coltrane Changes, intervallic cycles, symmetrical transpositions, and harmonic substitutions.\u003c\/p\u003e\n\u003cp\u003eFor the main heptatonic scales, each mode is also analyzed according to its internal structure:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003elower tetrachord + connecting interval + upper tetrachord\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis provides an additional framework for comparing, constructing, and understanding different harmonic materials.\u003c\/p\u003e\n\u003cp\u003eThe theory is not presented as an introductory treatise, but as a \u003cstrong\u003epractical reference designed to help you understand and develop the musical material contained in the book.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eWHAT'S INSIDE THE PDF\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e132 EXERCISES AND MELODIC LINES\u003c\/strong\u003e\u003cbr\u003eMaterial developed through scales, triad pairs, arpeggios, intervals, pentatonics, diminished sounds, parallel motion, upper structures, passing tones, and other melodic and harmonic devices.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVARIATIONS DERIVED FROM PREVIOUS EXERCISES\u003c\/strong\u003e\u003cbr\u003eIn selected cases, the book explicitly demonstrates how an existing idea can be transformed until it generates an entirely new exercise.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOTES AREA\u003c\/strong\u003e\u003cbr\u003eDedicated space for personal annotations, observations, and ideas developed while working on each exercise.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSTANDARD MUSIC NOTATION\u003c\/strong\u003e\u003cbr\u003eThe material is not guitar-specific and can be studied by musicians playing a wide range of instruments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e8.5 × 11\" FORMAT\u003c\/strong\u003e\u003cbr\u003eDesigned for convenient digital use or personal printing.\u003c\/p\u003e\n\u003ch2\u003eWHO IS IT FOR?\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e132 Ideas to Manipulate!\u003c\/strong\u003e\u003c\/em\u003e is intended for musicians who already have a solid theoretical foundation and want to go deeper into \u003cstrong\u003eimprovisation, melodic development, harmony, line construction, intervallic thinking, and the transformation of musical material.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo work through the book independently, familiarity with intervals, scales, triads, seventh chords, chord symbols, and standard music notation is recommended.\u003c\/p\u003e\n\u003cp\u003eThe term \u003cem\u003eadvanced\u003c\/em\u003e refers primarily to the nature of the material and the degree of musical independence expected from the player—not to a uniformly high level of technical difficulty across all 132 exercises.\u003c\/p\u003e\n\u003ch2\u003eWHY AREN'T AUDIO FILES INCLUDED?\u003c\/h2\u003e\n\u003cp\u003eThis is an intentional choice and an integral part of the method.\u003c\/p\u003e\n\u003cp\u003eA reference recording would inevitably define elements such as \u003cstrong\u003etempo, articulation, accents, and phrasing\u003c\/strong\u003e, potentially suggesting a predetermined model for how each exercise should be performed.\u003c\/p\u003e\n\u003cp\u003eIn this book, \u003cstrong\u003ethe written notation provides the common reference point, while interpretation remains part of the musician's own work.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThese exercises are materials to analyze, play, explore, and transform—not phrases to reproduce by imitating a recording.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Matteo Prefumo","offers":[{"title":"Default Title","offer_id":58628426137935,"sku":null,"price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1029\/5872\/7503\/files\/Matteo-Prefumo-132-IDeas-To-Manipulate.png?v=1785062847"}],"url":"https:\/\/shop.matteoprefumo.com\/collections\/all.oembed","provider":"Matteo Prefumo","version":"1.0","type":"link"}